#elia suleiman
In ‘Arab Cinema: History and Cultural Identity,’ Egyptian film historian Viola Shafik describes Palestinian cinema as a “national cinema without homeland” – a designation owed to the fact that most of the country’s practitioners live in diaspora, rely on foreign funding, and are barred from showing their films in the Occupied Territories. And yet, through the decades, Palestinian filmmakers have managed to reach the world with their stories and reap international recognition; both for their work and for Palestine. The…
