Arts & Culture

Egyptian Arabesque: The ‘Jewel’ of Islamic Art

mm
Egyptian Arabesque: The ‘Jewel’ of Islamic Art

image via Flickr

Woven intricacies of oriental arabesque awaken the memory of a bygone area, where decorative ornaments needled mosques, palaces, and domes with unique wooden motifs.

Arabesque, as dubbed by scholars of geometric art and traditional craftsmen, is a “jewel of arts.”

Adorning windows and doors throughout Egypt are the geometrical details of arabesque, an art form used by Islamic artists who sought an alternative to use figurative images of living creatures, which was thought by some as religiously undesirable. As a result, interlacing repetitive patterns that flow in and out of each other created a testament to the gorgeous past.

Arabesque is one of the most emblematic elements in Islamic art; it is believed to have been birthed in Fatimid Egypt, circa 969 A.D. The nascent Fatimid Caliphate fought many wars, where it was forced to utilize wood to make weapons and military equipment. The remaining wood that was left behind was sent to craftsmen and carpenters, who would then transform it into geometrical shapes.

Breaking the rigidity of wooden art, it laces vegetal designs of tendrils and leaves into motifs that exude continuity and immortality.

The art further developed during the Abbasid period, a time when science paved the way for an increased knowledge of geometric and arithmetic shapes. Arab artists did not curate new shapes, but rather, they used the readily available patterns in unique ways that were suitable for the fundamentals of Islamic art.

image via Majalla

In the 19th century, arabesque transcended beyond the borders of Egypt and into the Ottoman Empire. Sultans of the Ottoman Empire commissioned Egyptian arabesque craftsmen in Istanbul to decorate their homes and palaces.

Egyptian artisans often use the finest timber, camphorwood and sandalwood, in creating the arabesque pieces. The versatility and adaptability of the arabesque allowed it to exist not only within the furniture industry, but it can also be found adorning columns, minbars – which is the podium for the imam of the mosque, positioned in the direction of Mekka – mashrabiyas – which are mock windows that allow those inside to see the outside without being seen – windows, and doors.

It is a sacred art, paying homage to the peaceful nature of Islam, where the sunbeams seep through, allowing warmth and tranquility, not paying attention to the chaos of the outside world.

Decking some of Egypt’s most iconic corners, Khan el-Khalili, Wekalet el-Ghouri, and el-Gamilya neighborhood, Egyptian arabesque has become a tourist attraction in itself. Although it’s an art at risk of evanescence, it remains etched in Egypt’s history.

How Mahfouz’s Ironic Si El-Sayed Became a Benchmark for Egyptian Masculinity
How Abbas El-Akkad Became an Innovator of Arabic Poetry and Criticism

Subscribe to our newsletter


Arts & Culture
mm

Dual Degree in Political Science and Multimedia Journalism. I have a special love for storytelling, history, big cities, gender, and the Marvel Cinematic Universe.

More in Arts & Culture

Festivals Associated with the Journey of the Holy Family Now UNESCO Heritage

Mona Abdou1 December 2022

Through the Decades: The Evolution of Egyptian Film Title Designs

Farah Rafik30 November 2022

An Artist for Egyptian Women: On the Authentic Warmth of Zeinab Al Sageny’s Art

Farah Rafik29 November 2022

Beloved ‘Tintin’ Features in Temporary Photo Exhibition at NMEC

Sara Ahmed28 November 2022

Arab Actors Shine in Fifth Season of Netflix’s ‘The Crown’: Review

Farah Rafik28 November 2022

Arab Anthems: Music as a Powerful Tool in Cinema

Farah Rafik23 November 2022

Athar Lina: Promoting Cultural Heritage at Al-Khalifa Neighborhood

Marina Makary23 November 2022

4 Times Director Kamla Abou Zekry Championed Women’s Rights on Egypt’s Screens

Farah Rafik21 November 2022