A blue lotus floats its way upstream, and the sky canvases parallel to the Nile. In Egypt, it seems as though one can never get enough of the color blue – historically, artistically, and theologically. Blue is a fixture of Egyptian culture and has been for centuries; little scarab amulets, painted temple walls and most recently, evil-eye pacifiers. But blue, the ancients were quick to realize, was not a naturally occurring color; the sky was untouchable, and there was nothing to powder down to dilute into paint. Pigments at the time were sourced from the surface soil, most being earthy and warm as a result of their origin. It was an unfortunate arrangement for a culture whose essence relied on the existence of blue in any capacity. For ancient Egyptians, blue was associated with the sky, the Nile, and thus its importance eventually expanded to include representations of the universe, fertility, and creation. Nun, or the primeval waters of chaos, embodied those concepts of rebirth and creation – and unsurprisingly, those waters were believed to be blue as well. As a result, long-lasting symbols such as that of the Nile…
