Arts & Culture

Arabic Calligraphy: A Written Revolution

Arabic Calligraphy: A Written Revolution

The Resurgence of Islamic Calligraphy in Istanbul - The ...
Photo Credit: The Islamic Monthly

Calligraphy and Arabic are sisters of the same marrow – one has not existed without the other. From the inception of written Arabic, well after an era of oral tradition, taffy-curled lettering has been the staple of religious and historical documentation, of mosque walls and tapestry design. The art of calligraphy cannot ideologically – or practically – be thought of as separate from Arabic.

Writing Arabic is scripting art.

Writing Arabic is a form of calligraphy, by virtue of flow and form.

Arabic’s earliest written form surfaced in the 4th century CE, evolving from what was then known as Nabatean: a pre-Arab civilization that saturated the Levant and northern Arabia. This was an era prior to that of islam, where Arabic was a recited tradition rather than a written art. For centuries, most notably after the revelation of the Quran in the early 7th century CE, Arabs were speakers rather than scribes; they were poets and verse-rhymers, sharp-witted and fierce.

National Geographic, Books, Ancient, Paper, Islamic ...
Photo Credit: National Geographic
Ancient Arabic Letter On Stone Stock Photo - Download ...
Photo Credit: iStock

With the advent of religion and the need to document what was now a widely growing faith, Islamic scholars began writing down Quranic verses, qasa’id (long odes), and much of their poetry. Arabic writing flourished with the spread of Islam, despite having been present for centuries prior to it. Quite soon after it flew through North Africa, it became the source of art rather than simply the inspiration for it.

The word for calligraphy in Arabic is khatt: derived from the term for line, design or construction; it’s a fitting name, “because one of the most striking features of the script is its use of lines, whether flowing with sweeping curves or bold and angular.”

Arabic letters at the welcome Library, London. Photo Credit: Wikimedia Commons via Sampsonia Way

By nature, Arabic script is cursive – meaning letters are tail-joined depending on which form the word takes. Naturally, this means that each letter in the Arabic alphabet has a minimum of two forms and upwards of four (start of the word, middle, end, unjoined).

Al qalam, or “the pen” used for Arabic calligraphy is traditionally made of dried reed or bamboo. Although this staple has long since evolved; no longer is Arabic printed on papyrus or parchment, but rather when the Islamic Empire was at its height, calligraphy was everywhere: containers, carpets, building inscriptions and coins; there wasn’t a facet of banal society that stitched Arabic wasn’t embedded into.

Bismillah Arabic Calligraphy Art - Home | bismillahcalligraphy
Photo Credit: Bismillah Calligraphy

This continues to be true today as well. Egypt’s homes are decorated with Quranic verses, hand-written or etched into wood, cafes embellished with poetry stanzas and kind mashallahs. Arabic teachers will pull on ink pens, and government officials will sign papers with liquid, stunning script – effortlessly. Letters are joined and repeated into patterns and mosaics at historical sites, and handwritten street signs are a staple of older districts.

It’s safe to say that Arabic is more than a national language, but an artform designed to exist as a masterwork of design and penmanship – not just as documentation.

A Subterranean Cosmopolitan Past in the City of Alexandria
Food For the Soul: Local Comfort Food Guide

Subscribe to our newsletter

Arts & Culture

With a heart for radio and an appetite for culture, Mona is a writer and illustrator based in Cairo. At the Erasmus University Rotterdam, she obtained a BSc and MA in Media, Culture, and Society, while actively writing for the faculty magazine. After graduating, Mona was an academic advisor at the American University in Cairo, as well as Managing Director of a small, campus-based advertising firm. Gears shifting, her knack for cultural research took over - enter: Egyptian Streets. Mona’s focus is tapered to issues of identity politics, culture, and social architecture.

More in Arts & Culture

Japanese Anime Meets Egyptian Mythology in These 4 Shows

Farah Rafik13 August 2022

Witnessing Cairo: How the Lions of Qasr al-Nil Saw it All

Mona Abdou11 August 2022

How This Self-Taught Cairo-Based Fiber Artist is Using Embroidery as a Meditative Practice

Marina Makary9 August 2022

Discovered Anew: Abya Farid, the Trailblazer Cinematographer

Farah Rafik9 August 2022

How Hobos Magazine Hopes to Usher Egypt’s New Generation of Children Comics

Salma Hamed8 August 2022

Why Egypt’s Lack of Children’s Media Alienates Youth

Mona Abdou5 August 2022

Book Review: ‘The Men Who Swallowed the Sun’ Brings New Meaning to Being “Terrified of Poverty, Living in it”

Mona Abdou4 August 2022

Jazz Giants Who Pioneered Soul Music in Egypt

Farah Rafik3 August 2022